Stuart Hecht had four publications in 2016: “Jazz, Jews and Modernism on Broadway: from Lady, Be Good! to Show Boat.” In Experiments in Democracy: Inter-Racial and Cross-cultural Exchange in American Theatre and Performance During the Pre-Civil Rights Era, edited by Jonathan Shandell and Cheryl Black. Carbondale: Southern Illinois University Press, 2016.; “Owning Up: Controlling the Onstage Jewish Persona on the Early 20th century American Stage.” In Joshua Polster. Stages of Engagement: U.S. Theatre and Performance from 1898-1949. New York: Routledge, 2016.; “McCarthy gegen Mostel: Ein jüdischer Broadwaystar überlebt die Schwarze Liste.” InJüdischer Almanach, Musik, edited byGisela Dachs. Berlin: Jüdischer Verlag-Suhrkamp, 2016. He was also appointed to the editorial boards of both Theatre Annual and The Journal of American Theatre and Drama.