Monday, May 20, 2013

 2012 Awards, Grants, and Fellowships


Barnard Hewitt Award

 

  • Judith Pascoe, The Sarah Siddons Audio Files (University of Michigan Press, 2011), editor LeAnn Fields
  • Honorable Mention: Beth Holmgren, Starring Madame Modjeska (Indiana University Press, 2011), editor Janet Rabinowitch


Helen Krich Chinoy Dissertation Research Fellowships

 

  • Mary McAvoy, “Rehearsing Revolutions: Radical and Experimental Pedagogic Drama Experiments in U.S. Labor Colleges, 1920 and 1940”
  • Caitlin Marshall, “Vocal Culture: Sovereign Sounds in Antebellum America”
  • Tara Rodman, “Towards a Global Modernism: Performance in Japan, Europe, and the U.S., 1886-1937”


Distinguished Scholar Award

 

  • David Mayer, University of Manchester


Errol Hill Award

 

  • Bernth Lindfors, Ira Aldridge: The Early Years 1807-1833 (University of Rochester Press, 2011)
  • Honorable Mention: Brandi Catanese, The Problem of the Color[blind] (University of Michigan Press, 2011)


Oscar G. Brockett Essay Prize

 

  • Gary Jay Williams, “Edwin Booth: What They Also Saw When They Saw Booth’s Hamlet,” in Macready, Booth, Terry, Irving, Vol. VI of Great Shakespeareans (Continuum, 2011), edited by Richard Schoch
  • Honorable Mention: Leo Cabranes-Grant, “From Scenarios to Networks: Performing the Intercultural in Colonial Mexico,” Theatre Journal 63 (2011), edited by Penny Farfan.


Gerald Kahan Scholar’s Prize

  • Diana Looser, “A Piece ‘More Curious Than All the Rest’: Re-Encountering Pre-Colonial Pacific Island Theatre, 1769-1855,” Theatre Journal 63 (2011), edited by Penny Farfan.
  • Honorable Mention: Lofton L. Durham, “Reconnecting Text to Context: The Ontology of ‘French Medieval Drama’ and the Case of the Istoire de la Destruction de Troie,” Journal of Dramatic Theory and Criticism (2011), edited by Scott Magelssen.


Research Fellowships

 

  • Stuart Hecht, “Hull House and Its Theatre: A Legacy of Outreach and Art”
  • Matthew Schifflett, “Movers and Shakers: The Rise and Fall of Charleston’s First Theatre, 1732-1740”


Targeted Research Areas Grants

 

  • Kyounghye Kwon, “Korean Performances, Global Stages: Indigenous Memory and Cultural Diplomacy”
  • Megan Lewis, “White Africans in the Spotlight: Staging Afrikaners in South African Theatrical and Public Life”


Brooks McNamara Publishing Subvention

 

  • Amy Hughes, Spectacles of Reform: Theater and Activism in Nineteenth-Century America (University of Michigan Press, 2012), editor LeAnn Fields

 

Thomas Marshall Graduate Student Awards

 

  • Kellyn Johnson, University of California, Santa Barbara
  • Eero Laine, City University of New York
  • Scott Wallin, University of California, Berkeley


David Keller Travel Grants

 

  • Brian Cook, independent scholar
  • Laura MacDonald, University of Groningen
  • Jonathan Shandell, Arcadia University


Biennial Sally Banes Publication Prize

 

  • Petra Kuppers, Disability Culture and Community Performance: Find a Strange and Twisted Shape (Palgrave Macmillan, 2011)
  • Honorable Mention: Nadine George-Graves, Urban Bush Women: Twenty Years of African American Dance Theatre, Community Engagement, and Working It Out (University of Wisconsin Press, 2010)

 

Selma Jeanne Cohen Conference Presentation Award

 

  • Virginia Preston, “The Interdisciplines Between: Dance and Theatre in the Early Modern Archives


ASTR Collaborative Research Award

 

  • Victoria Fortuna and Susanna Tambuti, “Dance, History, Memory”

Grants for Researchers with Heavy Teaching Loads
(no applications received)

 

Co-Sponsored Events

 

  • Wendy Arons, requestor, “Earth Matters on Stage” Playwrights’ Festival and Symposium
  • Kimberly Jannarone, requestor, “Peer Gynt Project”
  • Suk-Young Kim, requestor, “Global Theatre and Performance Studies Research Workshops”
  • Tamara Underiner, requestor, “Second Conference of the Consortium of Doctoral Programs, in Theatre and Performance Studies”

Cambridge University Press Prize

 

Christian DuComb, "Blackface Photography and Performance Remains"