EDITOR: Catherine M. Cole
ASSOCIATE EDITOR: Leo Cabranes-Grant ASSISTANT EDITOR: Kate Babbitt
CRITICAL STAGES EDITOR: Mike Sell BOOK REVIEW EDITOR: Katherine Scheil
INCOMING CRITICAL STAGES EDITOR 2010: Patrick Anderson RE: SOURCES EDITOR: Nena Couch
EDITORIAL BOARD:
Daphne Brooks (2011), Princeton University
Susan Foster (2011), University of California, Los Angeles
Ellen Gainor (2010), Cornell University
Helen Gilbert (2011), University of London
Martin Harries (2009), New York University
Tejumola Olaniyan (2009), University of Wisconsin–Madison
Joseph Roach (2011), Yale University
Rebecca Schneider (2009), Brown University
Matthew Wilson Smith (2010), Boston University
Claire Sponsler (2009), University of Iowa
Mission
Theatre Survey is chartered by the American Society for Theatre Research as a theatre history journal. Its theatrical and historical orientations are both broadly conceived. Performance-centered studies are welcome from all points across all historical, cultural, and methodological spectra, as are historiographic studies.
Editorial Policy & Practices
Articles can be submitted to Theatre Survey through the following website: http://mc.manuscriptcentral.com/theatresurvey. Correspondence concerning articles should be addressed to Catherine M. Cole, Editor, THEATRE SURVEY, Department of Theater, Dance, and Performance Studies, University of California, Berkeley, 101 Dwinelle Annex, Berkeley, CA 94720 (colecat@berkeley.edu).
Book Reviews are published by Theatre Survey (see guidelines). Direct inquiries about book reviews to Book Review Editor Katherine Scheil at University of Minnesota (kscheil@umn.edu).
Critical Stages, a regular column in Theatre Survey, provides space for scholars to answer in a polemical, personal, but succinct fashion questions such as: What are the big issues in a given field within theatre studies? Where is that field now? Whence has it come? Where is it going? Where should it go? What are people talking about? What are they angry about? What are the passions informing the field – its subject matter, its methods, its gatherings? The essays published are no more than 3000 words and, though anchored in a specific historical, generic, thematic, or regional field, speak to all readers of Theatre Survey. Inquiries about prospective submissions should be directed to Critical Stages Editor Mike Sell at Indiana University of Pennsylvania (msell@iup.edu).
Subscriptions
Organizations can subscribe to Theatre Survey through Cambridge University Press. Registered ASTR members receive a hard copy of the journal in the mail and can also access Theatre Survey online at any time via the menu at the top of this page: Theatre Survey / Online Access (this menu option appears only when logged in).